Jason Mraz – Dynamo Of Volition

Intro
   
     D5   G5  F#5    D5  G5   F#5    F5  G5
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-o-------------------------------------------o-|
-----------------------------------------------|  X2
-----7----10---11----7----12---11----3---5-----|
-o---5----12---9-----5----10---9-----3---5---o-|  
-----0----0----0-----0----0----0---------------|




  Bm7  F#m7  G
---7----2----3---|
---7----2----3---|
---7----2----4---|
---7----2----5---|
---9----4----5---|
---7----2----3---|


  Bm7                  
---------------7----------------|
-----------------7----------7---|
---------7---------------7------|
------7---------------7---------|
--------------------------------|
---7--------7-------7-----------|

  F#m7      G
-------------------------------|
-----------------------3-------|
---------2--------4-------4----|
------2--------5---------------|
-------------------------------|
---2--------3--------3---------|


Verse
             Bm7
I've got the dynamo of volition

With po-pole position
F#m7                   G
Automatic transmission with lo-ow emissions
      Bm7
I'm a brand new addition to the old edition
         F#m7   G  
with the love unconditional.

      Bm7
I'm a drama abolitionist
                          F#m7
Damn no opposition to my proposition
     G
Half of a man, half magician
       Bm7
Half a politician holding the mic

Like ammunition
       F#m7                   G
And my vision is as simple as light.
[ dynamo_of_volition ]
(this one you want to kind of finger pick it while hiting notes.
Just listen to him play it.)

      Bm7
There ain't no reason we should be in a fight

Demolition
             F#m7
Get to vote, get to say what you like
G
Procreation
   Bm7
Compositions already written by themselves
       F#m7                       G
Saying heck is for the people not believin' in gosh 

Chorus

     Bm7
Good Job

Get 'em up way high
      F#m7             G
Gimme gimme that high five
     Bm7
Good time

Get 'em way down low
      F#m7            G
Gimme gimme that low dough
      Bm7
Good times

Bring 'em back again
      F#m7             G
Gimme gimme that high ten
         Bm7                      F#m7 G
You're a representation of good intentions. 


Bridge

                    A9
I do not answer the call if
                     F#m7
I do not know who is calling
                              G
I guess the whole point of it all is
              Bm7
That we never know really
                            A9
I'm tryin' to keep with the Joneses
                               F#m7
While waiting for guns and the roses
                      G
To finish what we all suppose is
             Bm7
Gonna be the shit that's silly 


 A9
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-2---
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-2---
-3---



The rest is basically same. I recommend to listen to Mraz play it to 
get the strumming and picking he does. If you watch on the videos on
youtube he does not use a pick. I would recommend doing the same.
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