Intro D5 G5 F#5 D5 G5 F#5 F5 G5 -----------------------------------------------| -o-------------------------------------------o-| -----------------------------------------------| X2 -----7----10---11----7----12---11----3---5-----| -o---5----12---9-----5----10---9-----3---5---o-| -----0----0----0-----0----0----0---------------| Bm7 F#m7 G ---7----2----3---| ---7----2----3---| ---7----2----4---| ---7----2----5---| ---9----4----5---| ---7----2----3---| Bm7 ---------------7----------------| -----------------7----------7---| ---------7---------------7------| ------7---------------7---------| --------------------------------| ---7--------7-------7-----------| F#m7 G -------------------------------| -----------------------3-------| ---------2--------4-------4----| ------2--------5---------------| -------------------------------| ---2--------3--------3---------| Verse Bm7 I've got the dynamo of volition With po-pole position F#m7 G Automatic transmission with lo-ow emissions Bm7 I'm a brand new addition to the old edition F#m7 G with the love unconditional. Bm7 I'm a drama abolitionist F#m7 Damn no opposition to my proposition G Half of a man, half magician Bm7 Half a politician holding the mic Like ammunition F#m7 G And my vision is as simple as light. [ dynamo_of_volition ] (this one you want to kind of finger pick it while hiting notes. Just listen to him play it.) Bm7 There ain't no reason we should be in a fight Demolition F#m7 Get to vote, get to say what you like G Procreation Bm7 Compositions already written by themselves F#m7 G Saying heck is for the people not believin' in gosh Chorus Bm7 Good Job Get 'em up way high F#m7 G Gimme gimme that high five Bm7 Good time Get 'em way down low F#m7 G Gimme gimme that low dough Bm7 Good times Bring 'em back again F#m7 G Gimme gimme that high ten Bm7 F#m7 G You're a representation of good intentions. Bridge A9 I do not answer the call if F#m7 I do not know who is calling G I guess the whole point of it all is Bm7 That we never know really A9 I'm tryin' to keep with the Joneses F#m7 While waiting for guns and the roses G To finish what we all suppose is Bm7 Gonna be the shit that's silly A9 ----- -2--- -2--- -2--- -2--- -3--- The rest is basically same. I recommend to listen to Mraz play it to get the strumming and picking he does. If you watch on the videos on youtube he does not use a pick. I would recommend doing the same.
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