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Transposé: demi-tons
[B]Ay yo, this that shit [G#m]you bob your head to
[F#]This that [E]brand new instrumental
[B]I heard he [G#m]put his city on
[F#]That boy [E]Kells so influential
[B]Success got [G#] meverybody hating
[F#]Success to [E]me is inspiration
[B]'Cause how we supposed to know [G#m]that what we dream is possible
[F#]If don't nobody that [E]looks like us makes it?
[B]You only got one [G#m]life, don't waste it
[F#]I mean we only [E]got one night, get wasted
[B]I mean I know you're [G#m]trying to think it out
[F#]But go with what you feel [E]'cause real problems can't be calculated
[B]It's hard to find the [G#m]answer when they have no explanation
[F#]It's hard to find where [E]you're headed when there's no destination
[B]It's hard to know when [G#m]we're going when there's no expiration
[F#]So until that day, just keep [E]that Kells inside your playlist and
[F#]Bring those speakers up on [E]blast, play it all night long
[F#]Bring those speakers up on [E]blast, play it all night long
[F#]Bring those speakers up on [E]blast, play it all night long
[F#]Bring those speakers up on [E]blast, play it all night long
[B]Drinking whiskey [G#m]like a desperado
[F#]My bitches [E]drinking Reposado
[B]Ashing in [G#m] dan empty bottle
[F#]Listening to the songs that put [E]our asses in this empty condo
[B]Remember ridin' 'round [G#m]in Ashleigh's car though?
[F#]When the radio first [E]played our song though?
[B]Or at her house when [G#m]MTV first showed my face
[F#]That clip was crazy, I swear [E]it felt like we won the lotto
[B]But a million bucks [G#m]can't buy priceless moments
[F#]An a million people [E]may not know us
[B]But every one of us [G#m]wants this gift we own
[F#]And that is how is [E]how to keep it real
[B]How to never judge [G#m]somebody by their steering wheel
[F#]'Cause you know that mother [E]fucker in that Ford Taurus
[B]Could be the next mother [G#m]fucker in that new Porsche
[F#]But like I said it's [E]hard to know where you're headed
[B]When there's [G#m]no destination
[F#]So until that day, just keep [E]that Kells inside your playlist and
[F#]Bring those speakers up on [E]blast, play it all night long
[F#]Bring those speakers up on [E]blast, play it all night long
[F#]Bring those speakers up on [E]blast, play it all night long
[F#]Bring those speakers up on [E]blast, play it all night long
[B]This shit right here, [G#m]man, this shit feels right!
[F#]Aye Doug, aye Dray, aye Earl, [E]you know it's all year right? Hah!
[B]I'm sitting here in the [G#m]middle of New York City
[F#]The night before I gotta [E]turn my second album in
[B]Higher than a motherfucka, [G#m]drunker than a motherfucka
[F#]With my boys, and I'm [E]thinking, damn, man 5 years ago
[B]We were dead broke [G#m]chilling in Cleveland everyday
[F#]And the next thing you know, [E]people are calling us about record deals
[F#]And you know, [E]the crazy part is
Ashleigh rented this white Nissan Altima for me and Slim so we could drive out to New York
[F#]I think she had to some work some [E]shit or something like that so she couldn't go
[B]So we were gonna go out there [G#m]and see what these labels were talking about
[B]And I'm driving us [G#m]there, but my license's suspended
So I tell Slim, I'm like "Yo, I gotta pull up before we get to New York and switch
[F#]So you can drive in [E]case we get pulled over"
[B]'Cause we got pulled over [G#m]the last time we went there
[F#]But you know, he had a license [E]so it made sense for him to drive
[F#]So cut to like 7 [E]and a half hours later
[F#]I pull over [E]in this emergency lane
[F#]And right as I'm opening the [E]door to switch with Slim, boom!
[F#]This fucking car going full speed on the [E]highway swerves off the road and smashed into us
Yo, I swear to God I woke up half my body's laying outside the car in a ditch
[F#]Like 15-20 feet away [E]from where we just were
[B]The car was totaled, [G#m]the windows were smashed
[F#]It was cold as [E]fuck, it was raining outside
[B]But we were, [G#m]we were actually okay
[F#]I mean, my boy had to go the [E]hospital you know the ambulance came and shit
[F#]He ended [E]up being alright
[B]But our meeting's with the record label started [G#m]at 2 and we didn't have no car
[B]And now we were stuck in [G#m]a fucking hospital in New Jersey
So this dude that, I ended up partnering with later on, his name's James McMillan
[B]He comes and gets us to [G#m]these meetings and shit, somehow, someway
[F#]I don't know if it was just because [E]we just got into a crazy car crash
[F#]And could've died a [E]couple of hours ago
[F#]But I'm in there and like you [E]know I'm not feeling this shit man
[B]I'm not feeling [G#m]this record label shit
[F#]And a, we [E]drove back to Cleveland
Know I'm back in Ashleigh's mom's basement, I'm thinking about life, you know
[B]I'm on a shit ton of [G#m]vicodin 'cause the doctors at the hospital
[F#]You know gave us something 'cause [E]we got into that car accident
[B]And Ashleigh runs [G#m]downstairs and she's like
[B]"Yo, yo, Kells, Kells, you're not gonna believe [G#m]who wants to talk to you right now
"I'm like, "who?" She's like "He's gonna call you in 30 seconds"
Know I guess, when I was in New York, I had made some kinda noise 'cause this dude named Byron
Who ended up becoming my manager later on, took this video I had called "Chip off the Block"
[B]Over to Bad Boy [G#m]and showed Harve Pierre
[B]And Harve Pierre went and showed [G#m]that vid to a guy named Puff
So I answer my phone, depressed, down, fucked up on vicodin and I hear
[F#]"Please hold, I have [E]Mister Sean Combs for you"
[B]I said, god damn, life's about [G#m]to change, man, I felt it
[F#]And sometimes that's all it takes, it's [E]just that feeling you know what I mean
[B]I knew I was gonna [G#m]be here, and now I'm here
Feel that, uh
Lace up, Kells
Lace up, Kells
Farewell, yeah
[B]This that shit you [G#m]bob your head to
[F#]This that [E]brand new instrumental
[B]I heard he [G#m]put his city on
[F#]That [E]boy, Kells
Vous avez trouvé une erreur dans les accords ou dans les paroles de cette chanson ?
infoÀ propos de cette chanson
Fondamentaux de la chanson
TonalitéE (E Majeur)
Tempo/BPM
110 BPM (Env.)
AccordageStandard (E A D G B E)
Signature rythmique4/4
Niveau de difficultéIntermédiaire
Position du capodastreSans capo
Nombre d'accords5 Accords uniques
GenreHip
graphic_eq
Modèle de grattement↓ - ↓ ↑ - ↑ ↓ ↑
Signature rythmique 4/4
auto_awesome
All Night Long par mgk se joue dans la tonalité de E. Progresi ini menciptakan pergerakan harmoni alami: E (I) sebagai Tonic (Pusat Nada/Stabil), diikuti B (V) sebagai Dominant (Tensi Kuat Menuju Tonic), diikuti G#m (iii) sebagai Mediant (Tonic/Pewarna).
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Guitarist Playing Guide & Pedagogical Tips
Guide théorique
Panduan bermain gitar lagu All Night Long oleh mgk: nada dasar E tanpa capo, tempo 110 BPM (4/4) dengan pola strumming '↓ - ↓ ↑ - ↑ ↓ ↑' yang ramah pemula.
check_circleNada & Tempo: Terdengar di tangga nada E (Tuning standar tanpa capo), tempo 110 BPM sukat 4/4.
check_circleBentuk Chord & Kunci Palang: Terdapat chord palang (B, G#m, F#) yang dapat disubstitusi bentuk terbuka (B7 (x21202), G#m7 open voicing, open F#7 voicing) agar tidak melelahkan jari.
check_circleTransisi Kritis: Perpindahan dari B menuju G#m membutuhkan penempatan jari pemandu (pivot finger) agar ketukan tidak terlambat.
check_circlePola Genjrengan: Gunakan pola '↓ - ↓ ↑ - ↑ ↓ ↑', awali latihan pada 79 BPM sebelum melaju ke tempo asli 110 BPM.
account_treeAnalyse de la progression des accords
Progression harmonique
Modèle de progression (chiffres romains)
V – iii – II – I – III
Accords de chansons :
starAccords primaires (Song Foundation)
BAbmF#E
Accords qui se répètent le plus fréquemment tout au long du couplet et du refrain.
more_horizAccords auxiliaires/de transition
Ab
Utilisé comme variations de transition harmonique dans l'intro, le pont ou la sortie.
tunePourquoi utiliser un capodastre ?
Capodastre et clé sonore
Clé sonoreEHauteur acoustique de l'enregistrement original
Sans caposync_altAugmente la hauteur des cordes à vide
Clé de forme de doigtéEPositions ouvertes des doigts d'accord
Le morceau est joué dans sa tonalité d'origine de E sans capodastre.
lightbulbPositions alternatives du capodastre pour cette chanson :
pianoFamille d'accords E
Matrice diatonique
Cette chanson est construite sur la tonalité de E. Voici les 7 accords diatoniques (Chord Family) qui s'harmonisent selon le solfège :
IETonic
iiF#mSupertonic
iiiG#mMediant
IVASubdominant
VBDominant
viC#mSubmediant
vii°D#dimLeading
speedNiveau de difficulté : Intermédiaire
Déterminants de difficulté pour cette chanson :
check_circleUtilise 5 accords uniques tout au long du morceau
CLÉ: E•TEMPO:
110 BPM (Env.)
•PROG: V – iii – II – I – III•DIFF: 3/5•CAPO: 0
helpGuide d'accords facile et FAQ All Night Long
FAQ et conseils
quizComment jouer les accords faciles pour All Night Long (mgk) ?
Pour lire Accords faciles pour All Night Long, activez le bouton Accords faciles au-dessus du canevas du poste de travail. Cette version est conçue avec des accords ouverts adaptés aux débutants pour faciliter les transitions sans accords barrés.
quizQuels sont les accords de guitare de base et la tonalité originale pour All Night Long ?
La clé d'enregistrement originale pour All Night Long par mgk est E. Vous pouvez utiliser la fonction Transposer (+ / -) à tout moment pour ajuster automatiquement la hauteur afin qu'elle corresponde automatiquement aux gammes vocales masculines ou féminines.
quizLa synchronisation audio et le défilement automatique sont-ils disponibles pour s'entraîner ?
Oui, ChordGitar.in propose Défilement automatique sans contact avec contrôle de vitesse, ainsi qu'un lecteur intégré pour que votre pratique du tempo et du rythme reste précise.