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DIAGRAMMES D'ACCORDS
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Transposé: demi-tons
[C]I met her on [Cadd13]the way to Chicago
[C7]Where she [Fmaj7]was all alone
[Dm]And so was I so [G7]I asked her for her name
[Cadd13]She smiled and [Dm]looked at me
[G7]I was [C]surprised to see
[Cadd13]That a woman like [C7]that was really into me
[Fmaj7]She said she [Dm]didn't have no man
[G7]Raised the kids the very best [Cadd13]she can (she was lovin' me)
[Dm]She told me [G7]she was all alone
[C]Sad at home, she didn't have [Cadd13]no phone (she was wantin' me)
[C7]She said just to [Fmaj7]give her a page
[Dm]59 was the code she [G7]gave (She was lovin' me)
[Cadd13]She lied to [Dm]you, lied to me
[G7]'Cause she was lovin' [C]me, lovin' me, yeah
[Cadd13]I never would've thought [C7]she was living like that
[Fmaj7]Her words [Dm]seemed so sincere
[G7]When I held her near she [Cadd13]would tell me how she feels
[Dm]It felt so [G7]real to me
[C]This girl, she [Cadd13]had to be
[C7]An angel sent from [Fmaj7]heaven just for me
[Dm]She said she [G7]didn't have no man
[Cadd13]Raised the kids the very best [Dm]she can (She was lovin' me)
[G7]She told me [C]she was all alone
[Cadd13]Sad at home, she didn't have [C7]no phone (She was wantin' me)
[Fmaj7]She said just to [Dm]give her a page
[G7]59 was the [Cadd13]code she gave
[Dm]She lied to [G7]you, lied to me
[C]'Cause she was lovin' [Cadd13]me, lovin' me, yeah
[C7]She tried to live a [Fmaj7]double life (she was lovin' me)
[Dm]Lovin' me while she was still [G7]your wife (she was wantin' me)
[Cadd13]She thought that [Dm]lovin' me was cool
[G7]While you at work and the [C]kids at school (she was lovin' me)
[Cadd13]She said that [C7]it would never end
[Fmaj7]Tried to get me any way [Dm]she can (she was wantin' me)
[G7]She lied to [Cadd13]you, lied to me
[Dm]'Cause she got [G7]a family, family, yeah
[C]Why? No, alright
[Cadd13]♪
[C7]I didn't know she [Fmaj7]was already spoken for
[Dm]'Cause I'm not [G7]that kind of man
[Cadd13]I swear that I would [Dm]have never looked her way
[G7]Now I feel [C]so much shame
[Cadd13]And know things [C7]have to change
[Fmaj7]You should know that [Dm]I'm holding her to blame
[G7]She said she [Cadd13]didn't have no man
[Dm]Raised the kids the very best [G7]she can (holdin' her to blame)
[C]She told me [Cadd13]she was all alone
[C7]Sad at home, she didn't have [Fmaj7]no phone (holdin' her to blame)
[Dm]She said just to [G7]give her a page
[Cadd13]59 was the code she [Dm]gave (holdin' her to blame)
[G7]She lied to [C]you, lied to me
[Cadd13]'Cause she was lovin' me, lovin' [C7]me, yeah (holdin' her to blame)
[Fmaj7]She tried to [Dm]live a double life
[G7]Lovin' me while she was still [Cadd13]your wife (holdin' her to blame)
[Dm]She thought that [G7]lovin' me was cool
[C]With you at work and the [Cadd13]kids at school (holdin' her to blame)
[C7]She said that [Fmaj7]it would never end
[Dm]Tried to get me any way [G7]she can (holdin' her to blame)
[Cadd13]She lied to [Dm]you, lied to me
[G7]'Cause she got [C]a family, family, yeah
[Cadd13]She said she [C7]didn't have no man
[Fmaj7]Raised the kids the very best [Dm]she can (she was lovin' me)
[G7]She told me [Cadd13]she was all alone
[Dm]Sad at home, she didn't have [G7]no phone (she was lovin' me)
[C]She said just to [Cadd13]give her a page
[C7]59 was the [Fmaj7]code she gave
[Dm]She lied to [G7]you, lied to me
[Cadd13]'Cause she was lovin' me, lovin' [Dm]me, yeah (she was lovin' me)
[G7]She tried to [C]live a double life
[Cadd13]Lovin' me while she was still [C7]your wife (she was wantin' me)
[Fmaj7]She thought that lovin' me [Dm]was cool (she was lovin' me)
[G7]While you at work and the [Cadd13]kids at school (she was lovin' me)
[Dm]She said that [G7]it would never end
[C]Tried to get me any way [Cadd13]she can (she was wantin' me)
[C7]She lied to [Fmaj7]you, lied to me
[Dm]'Cause she got [G7]a family, family, yeah
Vous avez trouvé une erreur dans les accords ou dans les paroles de cette chanson ?
infoÀ propos de cette chanson
Fondamentaux de la chanson
TonalitéC (C Majeur)
Tempo/BPM
110 BPM (Env.)
AccordageStandard (E A D G B E)
Signature rythmique4/4
Niveau de difficultéAvancé
Position du capodastreSans capo
Nombre d'accords17 Accords uniques
GenrePop
graphic_eq
Modèle de grattement↓ - ↓ ↑ - ↑ ↓ ↑
Signature rythmique 4/4
auto_awesome
Chicago par Michael Jackson se joue dans la tonalité de C. Progresi ini menciptakan pergerakan harmoni alami: C (I) sebagai Tonic (Pusat Nada/Stabil), diikuti Cadd13 (I) sebagai Tonic (Pusat Nada/Stabil), diikuti C7 (I) sebagai Tonic (Pusat Nada/Stabil), diikuti Fmaj7 (IV) sebagai Subdominant (Gerak Maju/Tensi Sedang), diikuti Dm (ii) sebagai Supertonic (Subdominant/Penghubung), diikuti G7 (V) sebagai Dominant (Tensi Kuat Menuju Tonic), diikuti Am7 (vi) sebagai Submediant (Relatif Minor/Melankolis).
school
Guitarist Playing Guide & Pedagogical Tips
Guide théorique
Panduan bermain gitar lagu Chicago oleh Michael Jackson: nada dasar C tanpa capo, tempo 110 BPM (4/4) dengan pola strumming '↓ - ↓ ↑ - ↑ ↓ ↑' yang ramah pemula.
check_circleNada & Tempo: Terdengar di tangga nada C (Tuning standar tanpa capo), tempo 110 BPM sukat 4/4.
check_circleBentuk Chord & Fingering: 100% akor terbuka (C, Cadd13, C7, Fmaj7, Dm, G7) bebas kunci palang, sangat ramah pemula.
check_circleTransisi Kritis: Perpindahan dari C menuju Cadd13 membutuhkan penempatan jari pemandu (pivot finger) agar ketukan tidak terlambat.
check_circlePola Genjrengan: Gunakan pola '↓ - ↓ ↑ - ↑ ↓ ↑', awali latihan pada 79 BPM sebelum melaju ke tempo asli 110 BPM.
account_treeAnalyse de la progression des accords
Progression harmonique
Modèle de progression (chiffres romains)
I – IV – ii – V – III – vi – II – vii – V – vi – IV – v – VI – ii – ♭II
Accords de chansons :
starAccords primaires (Song Foundation)
CCadd13C7Fmaj7
Accords qui se répètent le plus fréquemment tout au long du couplet et du refrain.
more_horizAccords auxiliaires/de transition
DmG7E7Am7D7BmGAmFGmA7Dm7Db
Utilisé comme variations de transition harmonique dans l'intro, le pont ou la sortie.
tunePourquoi utiliser un capodastre ?
Capodastre et clé sonore
Clé sonoreCHauteur acoustique de l'enregistrement original
Sans caposync_altAugmente la hauteur des cordes à vide
Clé de forme de doigtéCPositions ouvertes des doigts d'accord
Le morceau est joué dans sa tonalité d'origine de C sans capodastre.
lightbulbPositions alternatives du capodastre pour cette chanson :
pianoFamille d'accords C
Matrice diatonique
Cette chanson est construite sur la tonalité de C. Voici les 7 accords diatoniques (Chord Family) qui s'harmonisent selon le solfège :
ICTonic
iiDmSupertonic
iiiEmMediant
IVFSubdominant
VGDominant
viAmSubmediant
vii°BdimLeading
speedNiveau de difficulté : Avancé
Déterminants de difficulté pour cette chanson :
check_circleUtilise 17 accords uniques tout au long du morceau
check_circleNécessite des variations harmoniques enrichies (Cadd13, Fmaj7)
dnaADN MUSICAL:
CLÉ: C•TEMPO:
110 BPM (Env.)
•PROG: I – IV – ii – V – III – vi – II – vii – V – vi – IV – v – VI – ii – ♭II•DIFF: 2/5•CAPO: 0
helpGuide d'accords facile et FAQ Chicago
FAQ et conseils
quizComment jouer les accords faciles pour Chicago (Michael Jackson) ?
Pour lire Accords faciles pour Chicago, activez le bouton Accords faciles au-dessus du canevas du poste de travail. Cette version est conçue avec des accords ouverts adaptés aux débutants pour faciliter les transitions sans accords barrés.
quizQuels sont les accords de guitare de base et la tonalité originale pour Chicago ?
La clé d'enregistrement originale pour Chicago par Michael Jackson est C. Vous pouvez utiliser la fonction Transposer (+ / -) à tout moment pour ajuster automatiquement la hauteur afin qu'elle corresponde automatiquement aux gammes vocales masculines ou féminines.
quizLa synchronisation audio et le défilement automatique sont-ils disponibles pour s'entraîner ?
Oui, ChordGitar.in propose Défilement automatique sans contact avec contrôle de vitesse, ainsi qu'un lecteur intégré pour que votre pratique du tempo et du rythme reste précise.
