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DIAGRAMMES D'ACCORDS
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Transposé: demi-tons
[Intro]
[Eb] [C#] [Eb] [F#] [G#] [F#] [G#] [C#] [Eb] [C#] [Eb] [F#] [G#] [F#] [G#] [C#] [Eb] [C#] [Eb] [F#] [G#] [F#] [G#] [C#] [Eb] [C#] [Eb] [F#] [G#] [F#] [G#] [C#] [Eb] [C#m] [G#] [Eb] [C#m] [G#] [Eb] [C#m] [G#] [Eb] [C#m] [G#] [Eb]
[Eb]Oh I [C#]was seventeen,
[Eb]when I heard the [F#]countdown start, it started slowly,
[G#]and I thought it was [F#]my heart but then I realised,
[G#]that this time it was for [C#]real there was no place to hide,
[Eb]I had to [C#]go out and feel,
[Eb]but there was [F#]time to kill,
[G#]and so I, I [F#]walked my way around town,
[G#]I tried to [C#]love the world,
[Eb]oh but the world [C#]just got me down,
[Eb]and so I [F#]looked for you,
[G#]in every street of every town [F#]I wanted to see your face,
[G#]I wanna, I [C#]wanna see you now.
[Eb]I wanna [C#]see you now.
[Eb]Oh and [F#]so it went,
[G#]Oh so it went for [F#]several years I couldn't stand it
[G#]No, oh it must [C#]be getting near now that,
[Eb]you just [C#m]don't know,
[G#]oh no you, you just don't [Eb]understand how many people have seen you,
[C#m]in the arms of, [G#]of of some other man,
[Eb]I've got to meet [C#m]you, and find you,
[G#]and take you by [Eb]the hand, oh my God,
[C#m]my God, you've [G#]got to understand,
[Eb]that I [Eb]was seventeen.
[C#]I didn't, I didn't [Eb]know a thing at all.
[F#]I've got [G#]no reason,
[F#]I've got no reason [G#]at all, Oh no.
[C#]The time, [Eb]of my life,
[C#]oh I think [Eb]you came too soon,
[F#]Yeah you came [G#]too soon then,
[F#]Oh and it could, [G#]it could be tonight,
[C#]if I ever [Eb]leave this room,
[C#](I never leave [Eb]this room no)
[F#]Oh I wasted all [G#]my time on all those
[F#]stupid things that [G#]only get me down,
[C#]Get down, oh.
[Eb]Oh and [C#]the sky,
[Eb]is crying [F#]out tonight,
[G#]for me to [F#]leave this town,
[G#]so I'm gonna [C#]leave this town.
[Eb]Goodbye.
[C#m]O.K.
[G#]Yeah you [Eb]can leave me,
[C#m]oh you, you can [G#]go some other place,
[Eb]you can't [C#m]forget it.
[G#]Yeah, you know, [Eb]you know that's O.K.
[C#m]cos, cos I [G#]own this town,
[Eb]Yeah, I brought [Eb]it to its knees,
[C#]Can you [Eb]hear it crying?
[F#]Can you?
[G#]Can you hear it [F#]begging to me "Please?"
[G#]I know [C#]it's coming,
[Eb]so soon now
[C#]oh, oh it's [Eb]on it's way.
[F#]Oh no, oh no, oh [G#]I can hear them say,
[F#]they say [G#]I can't survive,
[C#]They say I, I'll [Eb]never leave the ground,
[C#]They say it's [Eb]all a lie,
[F#]and now, and [G#]now it's coming down,
[F#]Oh baby now,
[G#]Time, of my life, oh [C#]I think you came too soon.
[Eb]Yeah you came [C#]too soon now,
[Eb]Oh and it could, [F#]oh it could be tonight,
[G#]if I ever [F#]leave this room,
[G#](I never leave [C#]this room now)
[Eb]Oh oh oh
[C#m]I wasted all my time on all [G#]those stupid things that only get me down.
[Eb]Get down, oh
[C#m]Oh and the sky, [G#]is crying out tonight,
[Eb]for me to [C#m]leave this town,
[G#]So I'm gonna [Eb]go, gonna be there,
[C#m]I'm gonna go.
[G#]Bub-bye.
[Eb]It's O.K,
[Eb]You don't [C#]have to care.
[Eb]Really.
[F#]Oh, oh [G#]really, I swear,
[F#]No, no you [G#]owe me nothing,
[C#]You owe [Eb]nothing to me,
[C#]And if I [Eb]messed it up baby,
[F#]Then, that's all [G#]up to me.
[F#]And if you go, then, [G#]then I won't follow, no, no
[C#]cos so many [Eb]times I've been,
[C#]I've been thinking maybe, [Eb]oh maybe I should
[F#]No, I, [G#]I'm gonna stay
[F#]I, I'm gonna [G#]make my way
[C#]Oh, I'm gonna [Eb]get on through babe
[C#]I'm gonna make [Eb]it all some day
[F#]Oh, time, [G#]of my life,
[F#]no I think [G#]you came too babe,
[C#]You came [Eb]too soon then.
[C#m]Oh and it could, [G#]it could be tonight,
[Eb]if I ever [C#m]leave this room,
[G#](I never, I never [Eb]leave this room, no)
[C#m]Oh oh oh
[G#]I wasted all my time on all [Eb]those stupid things that only get me down
[C#m]Get down, oh
[G#]And the sky, [Eb]is crying out tonight,
[Eb]for me to [C#]leave this town.
[Eb]I'm gonna [F#]leave this town.
[G#]The sky, is [F#]crying out tonight,
[G#]for me to [C#]leave this town,
[Eb]yeah I'm gonna [C#]leave this town
[Eb]Time
[F#]is crying [G#]out tonight
[F#]for me to [G#]leave this town
[C#]So I'm [Eb]gonna go yeah
[C#]I'm gonna go
[Eb]Yeah
[F#]Bub-bye
[G#]I'm gonna [F#]leave this town
[G#]You're not gonna [C#]have me around
[Eb]Oh
[C#]The sky and stars and [Eb]God will never ever laugh
[F#]Me and stars and [G#]moon are falling down.
Vous avez trouvé une erreur dans les accords ou dans les paroles de cette chanson ?
infoÀ propos de cette chanson
Fondamentaux de la chanson
TonalitéEb (Eb Majeur)
Tempo/BPM
110 BPM (Env.)
AccordageStandard (E A D G B E)
Signature rythmique4/4
Niveau de difficultéAvancé
Position du capodastreCapodastre frette 3
Nombre d'accords5 Accords uniques
GenreAlternative
graphic_eq
Modèle de grattement↓ - ↓ ↑ - ↑ ↓ ↑
Signature rythmique 4/4
auto_awesome
Countdown par Pulp se joue dans la tonalité de Eb. Progresi ini menciptakan pergerakan harmoni alami: Eb (I) sebagai Tonic (Pusat Nada/Stabil).
school
Guitarist Playing Guide & Pedagogical Tips
Guide théorique
Panduan bermain gitar lagu Countdown oleh Pulp: nada dasar Eb (Capo Fret 3, bentuk C), tempo 110 BPM (4/4) dengan pola strumming '↓ - ↓ ↑ - ↑ ↓ ↑' yang ramah pemula.
check_circleNada & Tempo: Terdengar di tangga nada Eb (Capo di Fret 3 (bentuk chord C)), tempo 110 BPM sukat 4/4.
check_circleBentuk Chord & Kunci Palang: Terdapat chord palang (Eb, C#, F#) yang dapat disubstitusi bentuk terbuka (Ebmaj7 atau capo fret 3, open C#7 voicing, open F#7 voicing) agar tidak melelahkan jari.
check_circleTransisi Kritis: Perpindahan dari Eb menuju C# membutuhkan penempatan jari pemandu (pivot finger) agar ketukan tidak terlambat.
check_circlePola Genjrengan: Gunakan pola '↓ - ↓ ↑ - ↑ ↓ ↑', awali latihan pada 79 BPM sebelum melaju ke tempo asli 110 BPM.
account_treeAnalyse de la progression des accords
Progression harmonique
Modèle de progression (chiffres romains)
I – ♭VII – ♭III – IV – ♭vii
Accords de chansons :
starAccords primaires (Song Foundation)
EbC#F#G#
Accords qui se répètent le plus fréquemment tout au long du couplet et du refrain.
more_horizAccords auxiliaires/de transition
C#m
Utilisé comme variations de transition harmonique dans l'intro, le pont ou la sortie.
tunePourquoi utiliser un capodastre ?
Capodastre et clé sonore
Clé sonoreEBHauteur acoustique de l'enregistrement original
Capodastre frette 3sync_altAugmente la hauteur des cordes à vide
Clé de forme de doigtéCPositions ouvertes des doigts d'accord
Placer un capodastre en case 3 adapte le doigté en accords de C, préservant la tonalité de Eb sans barrés complexes.
lightbulbPositions alternatives du capodastre pour cette chanson :
pianoFamille d'accords EB
Matrice diatonique
Cette chanson est construite sur la tonalité de EB. Voici les 7 accords diatoniques (Chord Family) qui s'harmonisent selon le solfège :
CLÉ: EB•TEMPO:
110 BPM (Env.)
•PROG: I – ♭VII – ♭III – IV – ♭vii•DIFF: 5/5•CAPO: 3
helpGuide d'accords facile et FAQ Countdown
FAQ et conseils
quizComment jouer les accords faciles pour Countdown (Pulp) ?
Pour lire Accords faciles pour Countdown, activez le bouton Accords faciles au-dessus du canevas du poste de travail. Cette version est conçue avec des accords ouverts avec capodastre sur la frette 3 adaptés aux débutants pour faciliter les transitions sans accords barrés.
quizQuels sont les accords de guitare de base et la tonalité originale pour Countdown ?
La clé d'enregistrement originale pour Countdown par Pulp est EB. Vous pouvez utiliser la fonction Transposer (+ / -) à tout moment pour ajuster automatiquement la hauteur afin qu'elle corresponde automatiquement aux gammes vocales masculines ou féminines.
quizLa synchronisation audio et le défilement automatique sont-ils disponibles pour s'entraîner ?
Oui, ChordGitar.in propose Défilement automatique sans contact avec contrôle de vitesse, ainsi qu'un lecteur intégré pour que votre pratique du tempo et du rythme reste précise.
