Basket Case

Intro
[A][Gsus2][D][A][Gsus2][D]

Verse
[A]I don't want [Gsus2] to talk [D]about it to you

[A]I'm not an open [Gsus2]book that you [D]can rifle through

[A]The cold [Bm7]hard truth [Gsus2]that you'll [Em7]see right to

[D]I'm just a [A]basket case [Gsus2]without you

[A]He's not a [Gsus2]magic man or a[D] perfect fit

[A]But had a [Gsus2]steady hand and I [D]got used to it

[A]And a [Bm7]glass cage [Gsus2]heart and [Em7]invited me in

[D]And now I'm [A]just a basket [Gsus2]case without him

Chorus
[D]You're begging [Gsus2] for the truth

[Gm] [D] [G] [D] [A] [D]/ /
So I'm saying it to you

[Gsus2]I've been saving your place

[Gm]And what good does it do

[D]Now I'm [A]just a [Gsus2]basket case

[D]Now I'm [A]just a [Gsus2]basket case

Verse
[A]I don't say [Gsus2]much and it'll [D]stay that way

[A]You got a steel [Gsus2]train touch and I'm [D]just a track you lay

[A]So I'll [Bm7]stay right [Gsus2]here [Em7]underneath you

[D]I'm just a [A]basket case and [Gsus2]that's what we do

Chorus
[D]You're begging [Gsus2] for the truth

[Gm] [D] [G] [D] [A] [D]/ /
So I'm saying it to you

[D]I've been [Gsus2]saving your place

[Gm]And what good does it do

[D]Now I'm [A]just a [Gsus2]basket case

Bridge
[D]Won't somebody come on in and tug at my seams

[A]Oh send your armies in of robbers and thieves

[Bm][Gsus2][D/F#][Gsus2]
[A]To steal the [Bm7]state I'm in I don't[A7/C#] want it anymore

Chorus
[D]You're begging [Gsus2] for the truth

[Gm] [D] [D] [A] G/ /D
So I'm saying it to you

[D]I've been [Gsus2]saving your place

[Gm]And what good does it do

[D]Now I'm [A]just a [Gsus2]basket case

[D]Now I'm [A]just a [Gsus2]basket case

[D]Now I'm [A]just a [Gsus2]basket case

[D]Now I'm [A]just a [Gsus2]basket case

NOTE:
These chords are simplifications of the actual voicings
Here is a description of what the actual guitar voicings are:

[A]1 The first strum of the [A] major chord consists of [E]the notes and , but the
[A][D][A][C#]
[D]subsequent strums are [A]voiced like this: [F#]more like a DMaj7/ without an
[Gsus2][a][B][G]
[D]2 The [A]chord includes ;[B] the voicing is [D] approximately:
[Em7][A][E][B]
[G]3 The chord [A]includes an ; the [D]voicing is approx
[Gm][A][G][D]
[A]4 The chord [Bb]includes an ; the [D]voicing is approx

Placer un capodastre en case 2 adapte le doigté en accords de C, préservant la tonalité de D sans barrés complexes.

Cette chanson est construite sur la tonalité de D. Voici les 7 accords diatoniques (Chord Family) qui s'harmonisent selon le solfège :