Sin Triangle

[Intro]
[C#m7] [B] [G#m7]

[C#m7]Got to work on [B]my brain, then I'm
[G#m7]Crawling back to [C#m7]my grave and
[B]I'm certain that I'm [G#m7]gonna die this time
[C#m7]No doubt is left [B]inside my mind tonight
[G#m7]So I'm just gonna wait [C#m7]for nausea to set in, I'm
[B]Peacing out [G#m7]at eleven, the
[C#m7]Friendly girls are [B]trying to comfort me
[G#m7]As if I'm a depressed [C#m7]chick at a frat party
[B]Two-faced bitches [G#m7]never lie
[C#m7]And therefore [B]I never lie
[G#m7]Diagram this sin triangle [C#m7]for me tonight, because
[B]I don't know [G#m7]what to say
[C#m7]A sickness [B]by another name
[G#m7]Wouldn't be sweet [C#m7]either, but with luck
[B]It would at least [G#m7]look much more tame
[C#m7]Let's see [B]how personality works
[G#m7]Bill Woodruff here has [C#m7]something on his mind
[B]He wants something
[G#m7]In fact
[C#m7]I've got to work [B]on my face now, I'm
[G#m7]Wearing shades and [C#m7]it's dark out
[B]But don't you worry, [G#m7]I'm just being cool
[C#m7]Like everybody else [B]around the school
[G#m7]And maybe I [C#m7]wanna see him
[B]But, then again, [G#m7]I'm an isolationist
[C#m7]And on an [B]accident, I'm like Japan
[G#m7]Before they went and [C#m7]traded stuff to other lands
[B]And two-faced [G#m7]bitches never lie
[C#m7]And therefore [B]I never lie
[G#m7]Diagram this [C#m7]sin triangle
[B]But the biblical kind [G#m7]and not sine, because
[C#m7]I don't know [B]what to say
[G#m7]A sickness [C#m7]by another name
[B]Wouldn't be sweet [G#m7]either, but with luck
[C#m7]It would at [B]least, like, not suck
[G#m7]What do we mean [C#m7]when we talk about personality?
[B]What is [G#m7]your personality?
[C#m7]It's the way you get [B]along with other people around you
[G#m7]And with [C#m7]your changing environment
[B]You want certain things from [G#m7]other people and from environment
[C#m7]The way you go [B]about getting those things
[G#m7]Reveals your personality
[C#m7]For example, did you ever [B]want to go one place
[G#m7]But the gang wanted [C#m7]to go somewhere else?
[B]What did [G#m7]you do?
[C#m7]How set [B]was your personality?
[G#m7]Did you ever [C#m7]want, so much
[B]To make a [G#m7]good impression on someone?
[C#m7]What did [B]you do?
[G#m7]How accepted [C#m7]was your personality?
[B]Did you ever feel [G#m7]alone, out of place
[C#m7]When you wanted very much [B]to be part of the group?
[G#m7]What did [C#m7]you do?
[B]Two-faced bitches [G#m7]never lie
[C#m7]And therefore [B]I never lie
[G#m7]Diagram this [C#m7]sin triangle
[B]But the biblical kind [G#m7]and not sine, because
[C#m7]I don't know [B]just what to say
[G#m7]When a sickness [C#m7]by another name
[B]Wouldn't be sweet [G#m7]either, but with luck
[C#m7]It would at [B]least, like, not suck
[G#m7]Some bitches [C#m7]never lie
[B]And therefore [G#m7]I never lie
[C#m7]Diagram this sin triangle [B]for me tonight, because
[G#m7]I don't know [C#m7]just what to say
[B]When sickness [G#m7]by another name
[C#m7]Wouldn't be sweet [B]either, but with luck
[G#m7]It would at least [C#m7]look much more tame
[B]Wouldn't be sweet [G#m7]either, but with luck
[C#m7]It would at least [B]look much more tame

Placer un capodastre en case 4 adapte le doigté en accords de Am, préservant la tonalité de C#m sans barrés complexes.

Cette chanson est construite sur la tonalité de C#M. Voici les 7 accords diatoniques (Chord Family) qui s'harmonisent selon le solfège :